Friday, January 5, 2018

COP3 - Practical - Typeface Research



TypeFace - Bifur
Year 1929
Paris France
A.m Cassandre













Trajan Pro Regular
Year 114 AD
Carol Twombly










Typeface - Architype catalogue solid.
Year 1970
Wim Crouwel
Amsterdam

























Typeface Knockout
Year 1994
Hoefler & Frere-Jones
New York










Typeface - Futura Stencil
Year 1970
Milton Glaser
New York




















Typeface - Beans
Year 2008
Charles Grant
Dieter Zempsch
Zürich – Switzerland










Typeface -Gridnik
Year 1976
Wim Crouwel
Amsterdam

























Fette Fraktur
Year 1850
Johann Christian Bauer




















Typeface - New Alphabet
Year - 1967
Wim Crouwel
Amsterdam















Typeface - Shatter
Year 1973
Vic Carless





















Myriad Pro
Year 1992
C.Twombly
R.Slimbach
California
















Bayer Universal
Year 1925
Herbert Bayer
Dessau




















Univers
Year 1954
Adrian Frutiger
Zurich Switzerland















Avant Garde
Year 1978
Herb Lubalin
New York














Tschichold Architype
1929
Jan Tschichold


















Futura
1927-1928
Paul Renner














New Rail Alphabet
Year 2009
Margaret Calvert
Jock Kinneir & Henrik Kubel














Zapf Dingbats

1978
Hermann Zapf

















Van Der Leck
1941
Bart Van Der Leck
















Tephra 0
2007
Hamish Muir
London











Transport
1963
Margaret Calvert
& Jock Kinneir














Bastard
1990
Jonathan Barnbrook





















Typeface Six & Seven
1991
Neville Brody














Gill Sans
1927 - 1930
Eric Gill


























Helvetica
1957
Max Miedinger
Zurich Switzerland





















Baby Teeth
1968
Milton Glaser
New York

























Johnston Underground
1916
Edward Johnston
London














Arete Mono
1999
Jim Marcus
Chicago




















Akzidenz Grotesk
1896
Günter Gerhard Lange
Berlin


These typefaces formulate the main information of the poster, each will be ordered from it date and creation. Each has been selected for its modernity, inspiration in terms of the history of type as well as their ability to reflect an era or time. And their influence on culture.

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